改變公共場所中垃圾桶上的分類標準，以藝術徵件的分類方式重新命名，半強迫的方式讓參與者誤入本作品，貼完標籤後的24小時收件截止並將收件作品展出。「藝術在何時發生」作為最初提問，運用生活中的小抗議去引發嚴肅的藝術問題，在參與者投入垃圾時，產生遲疑（垃圾/作品的界定），手中的垃圾轉化為作品的思辨，重新思考其中分類架構，參與者無心地參與了一檔展覽，這種不小心的互動形式同時暗諷了在關係藝術之中，展場與觀者之間較封閉的參與形式；選擇藝術徵件分類的準確在於物之於作品的藝術脈絡，也是對於藝術機制的微小反叛。展覽作為視覺形式的呈現，再現出大眾對於「藝術分類」的認知，進而碰撞藝術脈絡上的形式問題，避免同一語境的反覆。這些展出品以裝置形式蒙騙，產生出極微小的落差以及怪異感受。
Transforming the classification criteria of public trash can, using art award open-call’s classification and re-criteria it. Without the knowledge of way people participate my plan, When they are thrown into the trash .re-classification criteria after 24 hours is deadline of this open-call,「when will art happen?」is first question in this work , The use of micro-protest raised serious questions. When a participant rubbish in to this trash can, Hesitation will show up. In this moment, this trash can and the art works will be confused. Re-think among the structures of art award open-call’s mechanism, it metaphor Participants of relational arts; The precise classification for art works is regarding to the artistic contexts and the micro-resistance to the art formula. Visual exhibition represented the general conception among people, however, this collision brought some issues which are being reminded and caused an endless hoop.