駐村第一週藝術家自我介紹(first week in the village:Artist introduction)
“Message in a Bottle – Friends in a Bottle” artist workshop
據點房間 Stronghold Room (2021)
馬祖南竿｜金沙李小石公園 Matsu Jinsha Park (Nangan Li Xiaoshi Memorial Park)
三頻錄像裝置 Three-channel Video, Installation art / Dimension variable.
馬祖駐村作品系列
在南竿53據點的40高射砲堡射口，裝上了窗簾，置換了內與外的空間及想像。
射口上方畫有目標寫景圖面，試想軍民聯合作戰、全民戰備的狀態，面對射口外的風景是一種戰戰兢兢的威脅，而窗簾的私密性使過去射口指向的射擊任務、區域與距離有一個暫時的逃逸。
拉開窗簾，上方畫有目標寫景圖面是屬於過去的風景，射口如同電影頻幕般(4:3、3:2、16:9)轉換著，射口外的風景也許沒太大的改變，而心境來回在過去與現在之間。
Matsu’s Village Works Series
About ‘Stronghold Room’
I installed the curtains at the 40 anti-aircraft gun port of Nangan 53 stronghold, replaced the space and imagination between the inside and outside.
There is a picture of the target on the top of the shooting port. Imagine the state of military and civilian joined operations and national combat readiness. Facing the scenery outside the shooting port is a kind of trembling threat, and the privacy of the curtain makes the shooting tasks, areas and distances to have a temporary escape.
Open the curtains, there is a picture of the target painted on the top of the scene, which belongs to the scenery of the past. The shooting port is changing like a movie screen (4:3, 3:2, 16:9), and the scenery outside the shooting port could not change much. , while the state of mind goes back and forth between the past and the present.
瓶中信 Message in Bottle
我用馬祖日報(舊媒體)做手抄紙，裡面藏了排他性極強又無天敵的外來種植物「銀合歡」的種子，銀合歡原產於南美洲，是屬戰地時期刻意引進栽培作為造林之用，而今對於馬祖自然生態造成極大的威脅。
以手抄紙乘載瓶中信的內容，邀請民眾在展場裡寫一封瓶中信給未知的⋯⋯。
瓶中信是一種傳遞訊息的形式，將訊息放入密封的容器投入海洋中，藉以將訊息傳至未知的對象。過去瓶中信的訊息接收者並沒有一個特定對象，訊息亦可能隨著洋流流動直到永遠。如今媒體資訊發達，我們能預示天氣、潮汐、海象⋯⋯這裡沒有他者，信的內容不再是無對象的浪漫或是一種無名的，沒有任何存在者為之負責的⋯⋯而撿到後的對象可以是將此計畫延伸（使事件發生）也可以是就此打住並且種下（銀合歡），而那未知的瓶中信也許再某地盛開成一片銀合歡純林。
島的封閉性使人有相對的內在時間去面對自身思想的無限。信件的傳遞時間，不是即刻的，不是像現在智慧型手機裡的社群軟體般，隨傳隨收的已讀狀態；信件的內容更非資訊性訊息，而是經過內化思考而產出的真實情感。
瓶中信為一種無力的循環，介於政治與詩意之間， 最終還是會回到瓶中信的未知。
I use the Matsu Daily (old media) as a handwritten paper, which contains the seeds of the exotic plant ” White Popinac”, which is native to South America and it is extremely exclusive and has no natural enemies. It was deliberately introduced and cultivated during the war period as a means of afforestation. At the present day, it makes a great threat to the ecology of Matsu.
The contents of the letter in the bottle are carried by handwritten paper, and the public is invited to write a letter in a bottle to the unknown in the exhibition .
A message in a bottle is a form of message delivery, which is put into an airtight container into the ocean to deliver the message to an unknown person. In the past, the message recipient of the message in a bottle did not have a specific object, and the message may flow with the ocean current forever. Now that the media information is developed, we can predict the weather, tides, walrus… There is no other here, and the content of the letter is no longer an objectless romance or a nameless, for which no existence is responsible… After picking it up The object can be to extend this plan (to make the event happen) or to stop and plant it (White Popinac), and the unknown letter in a bottle may bloom into a tree somewhere.
The shutter island allows people to have relative inner time to face the infinity of their own thoughts. The delivery time of the letter is not immediate, and it is not in the read status like the social software in the current smart phone, and the content of the letter is not informational, it is produced real emotion through internalized thinking.
Message in Bottle is a powerless cycle, between politics and poetry, that will eventually return to the unknown of the letter in a bottle.
聽說馬祖下雪了 It is said Matsu snowing
保麗龍安靜地躺在那看得到卻撿不到的澳口，因北風吹起四處飄散的保麗龍碎屑，想像一場初雪。
那些被浪不斷重刷，經歷時間洗滌成圓形樣貌的保麗龍石，由海洋漁業尼龍繩、漁網纏繞出勒痕的保麗龍塊、還能辨別出用途如消波塊的非自然保麗龍⋯⋯，以海廢保麗龍拼湊成我對於馬祖澳口景象，是屬於自然與非自然間觀看的轉換。
Styrofoam lay quietly in the indentation where it could be seen but not picked up, because the north wind blew up the scattered pieces of Styrofoam. Imaging the first snowing.
Those Styrofoam that have been repeatedly brushed by waves and washed into a round shape over time, Styrofoam blocks that are strangled by marine fishery nylon ropes and fishing nets, and unnatural Styrofoam that can be used as wave-absorbing blocks. I pieced together the sea-waste Styrofoam to create my view of Matsu indentation, which is a transition between natural and unnatural viewing.
龍舌蘭之詩 Poem in Agave sisalana
龍舌蘭又名瓊麻，是馬祖常見之戰地植被植物，作為防水鬼、防空將之防禦武器，時常出現在據點附近以及崖峭壁處，結合詩人梅玉「耶加雪菲的據點」的詩選，將感性的詩刻在相對尖銳的瓊麻植物上，以一種島上民情的口耳相傳形式「據說龍舌蘭上有關於過去的詩⋯⋯」，喚起此植物之於島的連結，到處都有龍舌蘭（戰地記憶），到處都有詩（藝術性、文學性），只等著觀者去發現察覺。
Tequila, also known as sisal hemp, is a common battlefield vegetation plant in Matsu. As a defensive weapon for marines and air defense generals, it often appears near the stronghold and cliffs. Combined with the poem by the poet Mei Yu “Yirgacheffe’s stronghold” , engraved sensual poems on the relatively sharp agarwood plant, in a form of word of mouth of the islanders, “it is said that there are poems about the past on the agave…”, evoking the connection between this plant and the island, There is agave (battlefield memory), poetry (artistic, literary) everywhere, just waiting for the spectator to discover it.