刻意在畫面中使用稀鬆平常的真實運動取代了“運動”一詞在當代藝術語境中那多變的用法；不掉入觀看繪畫的既定模式，製造出另一種途徑，看似抽象符號去操作，進行腦內增補作用；回到日常物(保齡球)並非終點，而是觀者在觀看的時間拉長進而產生具思辨性的觀看。

在保齡球瓶一作當中，畫面中單純的運用保齡球瓶特有的紅色橫條符號，襯在純白畫面之上，透過相當極簡視覺勾勒出想像的認知，再者畫面中紅色橫條的配置與順序彰顯出保齡球瓶矩陣瞬間潰堤之樣貌，零碎的畫面表現出球瓶隨機跳動的複雜運動；極簡清新的繪畫配置與碎裂瞬間的感知想像，召喚出一連串生活中的微妙童趣。

Using a common sport sign to replace the word “movement”, which has many explanations in contemporary art. There is consistency between painting, photography and image, the difference depends on how we thinking and seeing.

Trying to create a new track in reading paintings, using abstract symbols and images to brain linking. The point is not going back to daily objects, is extending the process of reading, to read with cogitation, a different way to seeing paintings.

In “Bowling pins”, I paint only the simple sign of bowling pins on plain canvas, then the imaginations will be acknowledged through the pure visual. The switching of red stripes shows the image of cracking bowling matrix, by fractional shapes displays flash move. Abundant joys in daily life was called by refreshing painting and imaginations of scattering moment.